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        Breaking bread: Navigating contemporary screen narratives through a traditional Sāmoan storytelling lens 

        Faatauʻuu-Satiu, Gabriel (2021)
        RESEARCH QUESTION How can indigenous scriptwriting practitioners keep traditional Sāmoan stories alive within a contemporary screen art form? ABSTRACT My creative practice-led research weaves traditional Pasifika forms ...
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        A close look at Chinese immigrants in New Zealand : my language, my identity 

        Gu, Jiajun (Leslie) (2019)
        RESEARCH QUESTIONS: 1 Do their language skills affect the identity of Chinese immigrants in New Zealand? 2 If so, what is the main impact and how it works? If not, then why do Chinese immigrants show a diverse attitude ...
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        Kaupapa Māori music video production: How can bringing kaupapa Māori to music video production in Aotearoa guide creative processes and outcomes? 

        Croul, Marcel (2022)
        An intention underpinning this project was to find a way to support the restoration of mātauranga Māori by bringing mātauranga Māori and my Māori self with me to my filmmaking practice. My chosen methodology for this ...
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        Planet of the Long White Cloud : science fiction cinema in New Zealand cultural identity 

        James, Seth (2019)
        RESEARCH QUESTION: How can the science fiction genre be used to explore cultural identities within New Zealand? ABSTRACT: Stargazing in the wilds of New Zealand is a wondrous thing. The cool, clean air chills your ...
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        Primary : film adaptation in theory and practice 

        Calder, Eleanor Elizabeth Ruiha (2019)
        RESEARCH QUESTION: How do all the aspects of the filmmaking process, from scriptwriting to the editing suite, impact the outcome and overall ‘success’ of the adaptation? ABSTRACT: The adaptation of works for film has ...
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        Seeing our like: Conceptualising a post-‘male gaze’ style of filmmaking 

        Berry, Ingrid (2022)
        For over a century society has shown a huge appetite for Hollywood films. Hollywood films have been successful in reaching a wide and diverse audience. Despite the breadth of exposure, a dominant lens, that of the White ...
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        Writing blackness for the New Zealand screen: How Africanising screenwriting practice contributes to black diasporic cinema in New Zealand 

        de Vries, Alex (2022)
        Writing Blackness for the New Zealand Screen is a practice-led experiment in decolonising screenwriting practice. Situated within Black Diasporic Cinema, Pinky (the screenplay) serves as both research and output, exploring ...

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